The Big Book of Ghost Stories: 140 Horror Novels & Short Story Collections - George MacDonald, Charles Brockden Brown, Henry James, Horace Walpole, Frederick Marryat, Washington Irving, H. P. Lovecraft, Louisa May Alcott, Charles Dickens, Grant Allen, Mayne Reid, Francis Marion Crawford, Oscar Wilde, Emily Bronte, Friedrich Schiller, Robert Louis Stevenson, Gaston Leroux, Algernon Blackwood, William Hope Hodgson, Ann Ward Radcliffe, G. P. R. James, Joseph Sheridan Le Fanu, Gertrude Linnell, William Thomas LINSKILL, Lafcadio Hearn, George Sand, Catherine Crowe, E. G. Swain, Talbot Baines Reed, Mrs. Oliphant, Edgar Wallace, Vernon Lee, Arthur Quiller-Couch, D. H. Lawrence, Elizabeth Stuart Phelps, H.G. Wells, Mary Eleanor Wilkins Freeman, Earl H. Reed, B. L. Farjeon, Paul Heyse, Rudyard Kipling, Wilhelm Hauff, Guy Boothby, Frederic Henry Balfour, M. R. James, Emma Dorothy Eliza Nevitte Southworth, F. Britten Austin, Richard Marsh, Mrs. J. H. Riddell, William De Morgan, Arlo Bates, Thomas Nelson Page, E. F. Benson, Henry Johnson Brent, Richard J. Hinton, Leonard Kip, W. T. Stead, Howard Pease, E. Nesbit, Jean Webster, William Ogilvie, Andrew Lang, Carolyn Wells, Edward S. Sorenson, Eliza Parsons, Mary Noailles Murfree, Rafael Sabatini, Mrs. Molesworth, May Sinclair, S. Baring-Gould, Dorothy Scarborough, Richard Middleton, Weymer Jay Mills, Lanoe Falconer & Nathaniel Hawthorne

The Big Book of Ghost Stories: 140 Horror Novels & Short Story Collections

By George MacDonald, Charles Brockden Brown, Henry James, Horace Walpole, Frederick Marryat, Washington Irving, H. P. Lovecraft, Louisa May Alcott, Charles Dickens, Grant Allen, Mayne Reid, Francis Marion Crawford, Oscar Wilde, Emily Bronte, Friedrich Schiller, Robert Louis Stevenson, Gaston Leroux, Algernon Blackwood, William Hope Hodgson, Ann Ward Radcliffe, G. P. R. James, Joseph Sheridan Le Fanu, Gertrude Linnell, William Thomas LINSKILL, Lafcadio Hearn, George Sand, Catherine Crowe, E. G. Swain, Talbot Baines Reed, Mrs. Oliphant, Edgar Wallace, Vernon Lee, Arthur Quiller-Couch, D. H. Lawrence, Elizabeth Stuart Phelps, H.G. Wells, Mary Eleanor Wilkins Freeman, Earl H. Reed, B. L. Farjeon, Paul Heyse, Rudyard Kipling, Wilhelm Hauff, Guy Boothby, Frederic Henry Balfour, M. R. James, Emma Dorothy Eliza Nevitte Southworth, F. Britten Austin, Richard Marsh, Mrs. J. H. Riddell, William De Morgan, Arlo Bates, Thomas Nelson Page, E. F. Benson, Henry Johnson Brent, Richard J. Hinton, Leonard Kip, W. T. Stead, Howard Pease, E. Nesbit, Jean Webster, William Ogilvie, Andrew Lang, Carolyn Wells, Edward S. Sorenson, Eliza Parsons, Mary Noailles Murfree, Rafael Sabatini, Mrs. Molesworth, May Sinclair, S. Baring-Gould, Dorothy Scarborough, Richard Middleton, Weymer Jay Mills, Lanoe Falconer & Nathaniel Hawthorne

  • Release Date: 2024-07-31
  • Genre: Ghost Stories

Description

The Big Book of Ghost Stories: 140 Horror Novels & Short Story Collections maps the ghostly imagination across the Gothic, Romantic, Victorian, Edwardian, and modern traditions. Its capacious selection ranges from ancestral curses, haunted houses, doubles, revenants, and spectral revenge to psychologically ambiguous apparitions and folkloric visitations. Novels and short fiction mingle with fairy-tale, sensation, decadent, imperial, and supernatural-investigation modes, revealing how the ghost story repeatedly transforms private fear into a meditation on memory, class, landscape, grief, and moral consequence. The contributors form an unusually broad transatlantic and European archive: foundational Gothic experimenters stand beside major realists, children's writers, popular sensationalists, folklorists, and innovators of cosmic and psychological horror. Their collective work traces the genre's movement from eighteenth-century terror through nineteenth-century spiritualism and fin-de-siècle unease into twentieth-century estrangement. Women writers are especially vital to this history, enlarging the supernatural tale's concerns with domestic confinement, inheritance, social vulnerability, and forbidden knowledge; other voices bring colonial settings, regional legend, scientific speculation, and theatrical melodrama into the field. Recommended for students, scholars, and devoted readers of the uncanny, this volume offers a rare opportunity to compare 140 distinct engagements with spectral experience. Its breadth makes it both an educational survey of horror's literary development and a compelling conversation among radically different styles, cultures, and visions of the dead.